Difference between revisions of "iAph050120 (Q2756)"
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Property / InsAph Identifier | |||
+ | iAph050120 | ||
Property / InsAph Identifier: iAph050120 / rank | |||
+ | Normal rank | ||
Property / IPR | |||
+ | Creative Commons licence Attribution 2.5 (http://creativecommons.org/licenses/by/2.5/). All reuse or distribution of this work must contain somewhere a link back to the URL http://insaph.kcl.ac.uk/ | ||
Property / IPR: Creative Commons licence Attribution 2.5 (http://creativecommons.org/licenses/by/2.5/). All reuse or distribution of this work must contain somewhere a link back to the URL http://insaph.kcl.ac.uk/ / rank | |||
+ | Normal rank | ||
Property / Translation EN | |||
+ | This city had made and set up a stone image [of] the wise Eupeithios because of everything, recalling that it is after death that true praise, beyond human envy, is accorded to men. | ||
Property / Translation EN: This city had made and set up a stone image [of] the wise Eupeithios because of everything, recalling that it is after death that true praise, beyond human envy, is accorded to men. / rank | |||
+ | Normal rank | ||
Property / Translation EN: This city had made and set up a stone image [of] the wise Eupeithios because of everything, recalling that it is after death that true praise, beyond human envy, is accorded to men. / reference | |||
+ | Year: 2004 Publication title: Originally published in Aphrodisias in Late Antiquity: The Late Roman and Byzantine Inscriptions (2004) Author: Charlotte Roueché Place: London |
Latest revision as of 18:34, 15 December 2013
Verse honours for Eupeithios
Language | Label | Description | Also known as |
---|---|---|---|
English |
iAph050120
|
Verse honours for Eupeithios
|
Statements
iAph050120
0 references
Creative Commons licence Attribution 2.5 (http://creativecommons.org/licenses/by/2.5/). All reuse or distribution of this work must contain somewhere a link back to the URL http://insaph.kcl.ac.uk/
0 references
This city had made and set up a stone image [of] the wise Eupeithios because of everything, recalling that it is after death that true praise, beyond human envy, is accorded to men.
1 reference
2004
Originally published in Aphrodisias in Late Antiquity: The Late Roman and Byzantine Inscriptions (2004)
Charlotte Roueché
London